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This book extract from Step
Up To The Mic is
an Indezine exclusive with permission from Rodney
Saulsberry / Tomdor Publishing.
In a series of no-brainer inspirational chapters,
Rodney explains the voice-over sphere in a simple,
uncomplicated manner that will be useful to both
beginners and professionals.
This excerpt is part of Chapter 7 from the
book. Thank you Rdoney, for providing permission
for these excerpts. |
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Teamwork in Voice- Over Sessions
That Wasn’t My Best Take!
Contributing
Ideas
Giving One Hundred and Ten Percent
The
Extra Effort Gets The Job

Teamwork in Voice- Over Sessions
The first step to sharing your positive attitude is to be
professional: arrive on time, know what’s expected
of you, listen to direction, make every take a great take,
and don’t complain or make excuses.
The second step
is to be a team player. Treat the participants in a session
like a baseball team, with each individual having a specific
responsibility. The actor, engineer, and director have an
area that they are in charge of. Problems occur when an individual
steps outside of his or her area. Let’s explore a common
situation where voice-over artists get frustrated—even
though they shouldn’t.
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That Wasn’t My Best Take!
How do you deal with hearing the final product of a voice-over
session and realizing that—in your opinion—the
client didn’t use your best work? The answer is simple.
Yes,
you have power. You are important. You are the talent. You
have a lot of knowledge. You are creative. You are unique
because no one does it quite like you. But remember, you
were hired for a job. You work for hire. The client thought
the take he chose was the best one—so you have to let
it go. That was the best take.
Your opinion doesn’t
matter or count—unless the client asks for it.
Actually,
I’m happiest when they don’t ask for my opinion—because
it means the clients know what they want. My job is to give
them what they want, and let them give the final answer as
to whether or not it’s good. So, it all goes back to “if
they like it, leave.” When the client decides you’re
done, you’re done.
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Contributing Ideas
Sometimes a director or client will indicate that he or
she wants you to contribute your ideas and comments. It feels
like a loose and collaborative project. However, if the session
is tense, if there is a tight dead-line, or if the director
is telling you exactly what to do on every take, chances
are you should save your input for another day.
Loose and
collaborative clients like creative people. That’s
why they have you there. They like improvisation. They expect
you to be improvisational, they expect you to be creative,
and they expect you to be knowledgeable about what you’ve
been hired for.
Working within the framework of team concept
makes the collaborative process much easier. You don’t
have to step out of your area unless you are asked to.
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Giving One Hundred and Ten Percent
Some voice-over actors worry about being exploited if they
offer to do extra work, like suggesting new copy or giving
ideas for different ways to play characters. It’s true,
some people in the business will take every thing you offer
without so much as a thank you.
I don’t offer anything
I don’t want to provide. If I have an idea and I’m
willing to do the work that goes with it, I’ll offer
the idea. The other aspect of my positive approach is that
I keep in mind the final product is me. In other words, the
better the session goes, the better I sound in the final
product.
When you’re in a situation where extra work
is called for, remember that it’s you who is shining,
it’s you who is putting good karma in the universe,
and it’s you who is going to get another job from the
employer because they know your work ethic. They know the
extent of your contributions and how much you enhanced
the final product. Or, perhaps, some other employer will
hear your voice on that spot, and hire you because they thought
it was great.
Make the extra work okay by remembering the
final product is you.
Your positive attitude is : “They’ve
asked me to do a little more than I’m being paid for,
but I’m interested in
the overall outcome of the project. I will make this contribution.
I can do this out of the goodness of my heart and because
of a positive attitude I have. In the end, I’m going
to benefit from these gifts that I’ve laid on them.
People are going to give gifts to me.”
When you
give, it comes back.
If you shine in a session by going above
and beyond what’s expected of you, you make yourself
more desirable in the future. The word’s out—you’re
a team player!
THE EXTRA EFFORT GETS THE JOB
I received a call from my agent one day requesting
a CD of my promo demo reel. He also asked me to send
a lot of extra copies to the agency, because they
were out of them. It wasn’t normal for him
to personally call me with a demo request, so
I asked him what he needed it for. He informed me
that one of the major networks was considering hiring
me to do promos for one of their hit summer programs.
Now,
one would think that since I had worked for this
network many times over the years, the people there
would be familiar with my work. And, if the situation
was so urgent, couldn’t I just send
them an audio file over the Internet in the form
of an MP3 or WAVE file? Plus, I have my own website,
so couldn’t they go there and listen to my
work?
This request is ridiculous, I thought. I’m
not traveling all the way over to Beverly Hills to
drop off a CD that my agent can deliver to the network.
Well,
thank God that bit of nonsensical thinking was brief.
I jumped in my car and took the last five CDs I had
to my agent. He had a messenger take the demo to
the network—and I got the job.
It turns
out the producer who hired me had been a fan of my
work for years. He was trying to convince his bosses
to use me. They did, in fact, visit my website to
listen to my promo work. They also listened to past
work that I had done for their network. But, there
was one person there who still believed in the formal
CD demo. Not only did he want to physically hold
the demo in his hand, he wanted to add it to the
networks files for future reference.
There was a
great lesson learned here. Technology has made us
take the shortest route—the easy way out of
everything. Need me to record a session? Hey, dial
me up on my ISDN line. Want to hear a sample of my
work? Give me your e-mail address, I’ll send
you an MP3. You need it quicker than that? Go to
my website.
I’m not saying these methods are
wrong, but don’t neglect the CD demo. It is
still an industry standard that is utilized, expected,
and accepted in many powerful circles today.
The
personal touch is still required in some circles,
so provide it whenever it is requested. Go to your
auditions. Go to your sessions. Don’t always “phone
it in.” You have to be willing to go that extra
mile if you want to get the job.
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© Rodney Saulsberry / Tomdor Publishing. All
rights reserved.

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